The only thing I try to watch carefully is that I never lose the love for the instrument. That's also why I decided against a professional piano career when I was younger.

I don't know where genre really comes from. I grew up with parents who were artists, and I was always interested in what music they were listening to and open to all kinds of genres. So it's nice to see that whole families come to my concerts. I like having an element in my music that is inclusive rather than exclusive, without being pop for the sake of it. It's not important to me how many people listen to it - it's more wonderful that it brings people who wouldn't usually meet into the same room.

When I make a fool out of myself or when I don't take myself seriously, I'm in a comfortable spot where I don't need to be reasonable. There's no reason to be reasonable. This is what I want to do and where I have full control. I determine what I want to do.

The music I do in live performances is made for a specific situation. I know that people are sitting down and shutting up and they're with me for 90 minutes. They're totally with me. Whatever I do, I know they have my attention and they follow my pace.

Why does the world need a Piano Day? For many reasons. But mostly, because it doesn't hurt to celebrate the piano and everything around it: performers, composers, piano builders, tuners, movers and most important, the listener.

Whatever you do as an artist, people have to have an experience. It's not about the details or the wrong note or what tuning the piano is. It doesn't matter. It all doesn't matter. It only matters what people think when they leave the room and what their impression was.

There's a narrow bit which is still possible, which is left from all of the ones you can't do right now, and then you make the best out of that. You wouldn't have done that by yourself at any other moment of time.