Whatever you do as an artist, people have to have an experience. It's not about the details or the wrong note or what tuning the piano is. It doesn't matter. It all doesn't matter. It only matters what people think when they leave the room and what their impression was.

I don't know where genre really comes from. I grew up with parents who were artists, and I was always interested in what music they were listening to and open to all kinds of genres. So it's nice to see that whole families come to my concerts. I like having an element in my music that is inclusive rather than exclusive, without being pop for the sake of it. It's not important to me how many people listen to it - it's more wonderful that it brings people who wouldn't usually meet into the same room.

What I love most about playing in front of people has something to do with a certain kind of energy exchange. The attention and appreciation of my audience feeds back into my playing. It really seems as if there is a true and equal give and take between performer and listener, making me aware of how much I depend on my audience. And since the audience is different every night, the music being played will differ too. Every space I performed in has its own magic and spirit.

Confusion is the only state of mind we have where we are really out of our patterns and what we expect. Because of that, you're open to new experiences. The irritation in concert performances is really important. When people get really irritated, they listen on the front of their stool and ask, "What's going on?" If I deliver what they expect - sad, soft piano music - then people would just shut down.

The music works by itself, but you can change the perception of it by the way you dress, the way you move, the things you say, the things you don't say. And when you realize that everything is staged, then nothing is staged. There's a kind of liberation to that.

The music I do in live performances is made for a specific situation. I know that people are sitting down and shutting up and they're with me for 90 minutes. They're totally with me. Whatever I do, I know they have my attention and they follow my pace.

There's a narrow bit which is still possible, which is left from all of the ones you can't do right now, and then you make the best out of that. You wouldn't have done that by yourself at any other moment of time.