I've had a very supportive mother my entire life, so I've had strong women around me.

I think that's what so exquisite and unique about New York, it's a city that allows you to hone your craft as much as possible. There is no good or bad, somehow, strangely, there is no beginning or end. You certainly qualify it with the opening or closing of a run, but what's extraordinary is that you are actually allowed to be an artist here. It's very "belle époque," but somehow continually. That's why I love New York so much, honestly.

I'm mildly obsessed with skin care. I do a lot of masks at home, like Elisha Coy's Korean Collagen masks. I also use an embarrassingly wide variety of facial creams.

I think if you want to get to know me, you should come and see a show. A person might get to see more sides of me.

It present to allow me to ask myself questions about what I'm doing. I think that's what visual art does - it either reminds you of something or allows you to question something. I don't know why Robert Motherwell; I love so many different artists.

I would feel ill without theater. It's kind of a cliche, but every time you make a mistake, you really do have to learn from it to move on. When you're doing something live, there's no time to dwell. Hopefully you'll laugh it off, but if not, you can always take a day to hate yourself.

I had never been in a New York courtroom. I think I went on a field trip when I was nine in New Jersey, but I never actually set foot as an adult and it was terrifying. It's very sterile, somehow. It seems so grand in the movies and it's so sterile when you're actually there.