I think having pointers and having guidance from mentors is very important, but it never actually embodies what you go through. And if something doesn't feel good, why do you repeat it? If you feel good bemoaning an audition for a week, go for it. But if you feel better bemoaning an audition that didn't go very well for 30 minutes because you believe in the craft and the process, then I suggest you do that. And that's what I suggest to myself. The alternative is way too painful and destructive.

Now that I'm on Broadway, it's like NASA engineering with the costumes. I was very grateful for the slightly more high-tech ones in my show, 'Venus in Fur'; our costume designer Anita Yavich is kind of a genius.

My favorite place to vacation is anyplace by the ocean.

I'm mildly obsessed with skin care. I do a lot of masks at home, like Elisha Coy's Korean Collagen masks. I also use an embarrassingly wide variety of facial creams.

I try not to put my purse on the floor - demons will get into it.

What makes an actor, I think, is a combination of a deep curiosity about life and a case of the crazies.

It present to allow me to ask myself questions about what I'm doing. I think that's what visual art does - it either reminds you of something or allows you to question something. I don't know why Robert Motherwell; I love so many different artists.