I'm mildly obsessed with skin care. I do a lot of masks at home, like Elisha Coy's Korean Collagen masks. I also use an embarrassingly wide variety of facial creams.

Now that I'm on Broadway, it's like NASA engineering with the costumes. I was very grateful for the slightly more high-tech ones in my show, 'Venus in Fur'; our costume designer Anita Yavich is kind of a genius.

I was into opera as a kid - I'd play 'Carmen' and sing and dance. My mom signed me up for a theater group before preschool, and I never looked back.

You leave part of yourself on every stage you're on. How could you not live in the air somehow?

I've had a very supportive mother my entire life, so I've had strong women around me.

I had never been in a New York courtroom. I think I went on a field trip when I was nine in New Jersey, but I never actually set foot as an adult and it was terrifying. It's very sterile, somehow. It seems so grand in the movies and it's so sterile when you're actually there.

Going to the theater or having the honor of performing in theater reminds you of your humanity in a very different way. It's a real release and an incredible challenge. But the stage is a dangerous place. You gotta be trained. Plus, crowds like when things go wrong. I think that's part of the thrill. Anything can happen.