A lot of my work is about these moments you find, like when you're driving alone at night by yourself, or you sit at home and smoke a cigarette and all of a sudden there is beautiful music playing - for me it is sad piano music - and think, "I'm so in love and I don't even know with what." You want to freeze this moment.

When you're about three years old, you start to learn how to be manipulative. I know this from my own experience - I created this expression between sadness and dissatisfaction to get people to make me feel better, to get me presents. I created this face based on movies without even understanding it. I felt attracted to faces and body language. I remember I was always fascinated with why some people are considered beautiful and some are not. Everybody's got two eyes and one nose, but it's the small details. It is why we fall in love or why we want to kill somebody we haven't even spoken to.

For a long time I found myself calling so many things "genius." Sometimes you mean it literally and sometimes it's the opposite, but either way it is so heavy and has so much meaning.

A lot of my work is about these moments you find, like when you're driving alone at night by yourself, or you sit at home and smoke a cigarette and all of a sudden there is beautiful music playing - for me it is sad piano music - and think, "I'm so in love and I don't even know with what." You want to freeze this moment.

Generally paintings are about technique, but I don't see myself as a painter. I am more of a storyteller and an image - maker.

I believe there is some kind of magic that comes just from looking at somebody. In the beginning, I called it "Genius" in a very cynical way. Then I started to look at real geniuses in history and all of them have the same expression, of something very bitter. It's bitter because they have this kind of knowledge that they cannot share. They don't have the time or energy to deal with other people.

To me, paintings are about beauty. They are very feminine, and beauty is something very feminine. For a long time, people would talk with me about identity. I don't have issues with identity, I just follow this kind of feminine beauty because I became a victim of my art, which I think is the best thing for an artist. So many artists use their talent, but with the best artists, their talent uses them.