As a man - no longer a teenager that can play those really young roles, but as a man - I think I've only just got good in the last three or four years. I only watch my old films because, as someone who wasn't trained, that's how I look at my mistakes; I see something and I go, "Well, that's not good," and I learn from my mistakes. Same with the writing and same with the directing.

I think now you see a lot more British films from the perspective of, I guess what would be considered "new" British people - people of color, Asian people. I think that's what's happening now, whereas 20 years ago it couldn't happen because it was still predominantly, "British film is about middle-class white families and what they do."

I think most people, no matter their status now, have big screen TVs, because they're the standard TVs now. And so why would you go to the cinema?

I think that's important for all ages, to not be afraid of being an individual. I grew up on my own, as an only child, so early on I think I was quite capable of making decisions by myself and being an individual.

I think the British industry is set up to support British film, if we make films that enable them to support it. If you don't make a commercial film, distributors can't get behind it. If they don't get behind it, the film doesn't do well.

I was offered and accepted a part in 'A Few Best Men,' and then the Australian actor's union argued that there were too many British actors. And the director decided to lose me.

I allowed the actors to have freedom and sometimes change words if they needed to or thought that another word was more current.