I was offered and accepted a part in 'A Few Best Men,' and then the Australian actor's union argued that there were too many British actors. And the director decided to lose me.

I think now you see a lot more British films from the perspective of, I guess what would be considered "new" British people - people of color, Asian people. I think that's what's happening now, whereas 20 years ago it couldn't happen because it was still predominantly, "British film is about middle-class white families and what they do."

I'm always willing to work that little bit harder to achieve what I need to achieve because I feel like it's a blessing for me to be here. I was never supposed to be here. I'm the black council estate kid, single parent, from West London, with friends that are in jail, friends that have committed heinous crimes, friends that are doing nothing. I'm not supposed to be here, therefore I have nothing to lose. I'm always going to work harder than everyone else because if it doesn't work, "So what?".

'Pulp Fiction' blew my mind; beforehand, I'd watch films and there was a beginning, middle and an end, and that's it. There is in that film, too, but it's out of sequence.

I can't always be making "British films". Why should we be making films about corsets and horses and girls learning to drive when Americans send over an event movie and make five or 10 million?

I asked my media teacher, "You can make films out of sequence?" and he was like "Yeah! You can do whatever you want." I just started to write because I was fed up of not seeing the stories that I wanted, so I was like "Stop moaning and write something."

I think most people, no matter their status now, have big screen TVs, because they're the standard TVs now. And so why would you go to the cinema?