When I write a project, it might be something that I want to do and then when I look at it, I'm actually like, "I kind of don't want to direct it." I don't know why, I still love it enough for it to be made and to support it, but I don't want to direct it. I just give it to other directors and they do a good job!

When I wrote 'Kidulthood,' I didn't even know there was going to be a 'Kidulthood.' I just wanted to test myself to see if I could write a script.

I asked my media teacher, "You can make films out of sequence?" and he was like "Yeah! You can do whatever you want." I just started to write because I was fed up of not seeing the stories that I wanted, so I was like "Stop moaning and write something."

I think now you see a lot more British films from the perspective of, I guess what would be considered "new" British people - people of color, Asian people. I think that's what's happening now, whereas 20 years ago it couldn't happen because it was still predominantly, "British film is about middle-class white families and what they do."

As an actor, director or writer you never want to be doing one thing. To show that diversity and be able to do more than one thing, and to play different characters, is part of the job that I'm supposed to do. Hopefully, I can continue doing that.

People can criticise me all day long. It just washes off me. You might as well be talking to a wall.

I was offered and accepted a part in 'A Few Best Men,' and then the Australian actor's union argued that there were too many British actors. And the director decided to lose me.