I'm a nice guy to anyone I meet, until they show me they don't deserve niceness. I'll turn very quickly. But I'm pretty pleasant overall.

As a man - no longer a teenager that can play those really young roles, but as a man - I think I've only just got good in the last three or four years. I only watch my old films because, as someone who wasn't trained, that's how I look at my mistakes; I see something and I go, "Well, that's not good," and I learn from my mistakes. Same with the writing and same with the directing.

I think the British industry is set up to support British film, if we make films that enable them to support it. If you don't make a commercial film, distributors can't get behind it. If they don't get behind it, the film doesn't do well.

When I wrote 'Kidulthood,' I didn't even know there was going to be a 'Kidulthood.' I just wanted to test myself to see if I could write a script.

I asked my media teacher, "You can make films out of sequence?" and he was like "Yeah! You can do whatever you want." I just started to write because I was fed up of not seeing the stories that I wanted, so I was like "Stop moaning and write something."

All the young people grow up too fast and want to be able to do this, or that. When you get to the older age and you have a mortgage, bills, this and that you think: "If I had done that differently when I was younger, then I wouldn't be in this situation now."

I'm a nice guy to anyone I meet, until they show me they don't deserve niceness. I'll turn very quickly. But I'm pretty pleasant overall.