It always seems that the generation below you is getting worse, which is why I had the worst character in the film Adulthood that said it. I don't remember speaking to my elders like that, because you never remember... actually our generation was quite bad because everyone else always seems worse.

When I write a project, it might be something that I want to do and then when I look at it, I'm actually like, "I kind of don't want to direct it." I don't know why, I still love it enough for it to be made and to support it, but I don't want to direct it. I just give it to other directors and they do a good job!

I think the British industry is set up to support British film, if we make films that enable them to support it. If you don't make a commercial film, distributors can't get behind it. If they don't get behind it, the film doesn't do well.

Generally, an indie film in the U.K. is put together much like in the states. We got a tax credit. You sell the domestic rights, which can be quite low, but it's enough to push you over the line. And you get a tax credit on top of that, and then you cobble it together with private equity or gap financing and things like that.

People can criticise me all day long. It just washes off me. You might as well be talking to a wall.

I'd always much rather be second choice on anything because it makes you work harder.

I was offered and accepted a part in 'A Few Best Men,' and then the Australian actor's union argued that there were too many British actors. And the director decided to lose me.