Generally, an indie film in the U.K. is put together much like in the states. We got a tax credit. You sell the domestic rights, which can be quite low, but it's enough to push you over the line. And you get a tax credit on top of that, and then you cobble it together with private equity or gap financing and things like that.

If I'm given the opportunity of writing, directing and acting in the same film I would love to do it again. It's something I don't think that anyone else is doing in the country at this level... not many people are doing it in the world. I think if you check that out and find it's quite accurate, there's only a handful of people that actually are doing it.

When people say to me: "Oh don't worry, if one door closes another one opens..." If one door closes for me, go through the window - I'm not interested in waiting around for people to give me opportunities. I try and make things happen and if I am given opportunities I take them and work harder.

I think the British industry is set up to support British film, if we make films that enable them to support it. If you don't make a commercial film, distributors can't get behind it. If they don't get behind it, the film doesn't do well.

Bullying isn't about size, it's about intimidation.

I'm a nice guy to anyone I meet, until they show me they don't deserve niceness. I'll turn very quickly. But I'm pretty pleasant overall.

I'm always writing, but directing takes priority over everything, unless the acting is a job that lifts that whole brand. If I get a part in a big film with a big director and I was going to direct one of my one films, I would take the former job because that job will only help anything that I then intend to do. I think in the long run, directing is the thing that will outlive everything else. Maybe that and writing.