One of the interesting things about motion capture technology is kind of how it's all put together. The idea is to make it as much a "normal" acting experience as possible and then being able to do all these amazing technical things with it afterwards.

Mickey is a secret journal chained closed with a padlock, slammed inside a vault and dropped into the middle of the Pacific Ocean.

You can curl up in the fetal position and try to wish away all the things that need doing, or you can get started on that uphill battle to reclaim your life. The difficulty isn’t what choice to make, because that part is obvious. The difficulty lies in finding the energy and inspiration to make the right choice.

When I say that the acting is sort of like a normal acting experience, I'm just talking about the interacting in actual scenes, like doing dialogue.

The technical aspects of doing motion capture and actually, you know, capturing the motion, is very different. It's an interesting learning curve to be part of because you have so much gear on you.

One of the interesting things about motion capture technology is kind of how it's all put together. The idea is to make it as much a "normal" acting experience as possible and then being able to do all these amazing technical things with it afterwards.

It's always hard as an actor I think to be just on the set and have the kind of confidence to be like, 'Yeah, I did that. That went perfectly. That's great.' That's more confidence than I have.