There is something called the rapture of the deep, and it refers to what happens when a deep-sea diver spends too much time at the bottom of the ocean and can't tell which way is up. When he surfaces, he's liable to have a condition called the bends, where the body can't adapt to the oxygen levels in the atmosphere. All of this happens to me when I surface from a great book.

I want to talk to her. I want to have lunch with her. I want her to give me a book she just read and loved. She is my phantom limb, and I just can’t believe I’m here without her.”- on losing her best friend

[on the screenplay for "When Harry Met Sally"] It struck me that the movies had spent more than half a century saying, "They lived happily ever after" and the following quarter century warning that they'll be lucky to make it through the weekend. Possibly now we are now entering a third era in which the movies will be sounding a note of cautious optimism: You know, it just might work.

Vera said: 'Why do you feel you have to turn everything into a story?' So I told her why: Because if I tell the story, I control the version. Because if I tell the story, I can make you laugh, and I would rather have you laugh at me than feel sorry for me. Because if I tell the story, it doesn't hurt as much. Because if I tell the story, I can get on with it.

That [photographs] disturb readers is exactly as it should be: that's why photojournalism is often more powerful than written journalism.

My mother wanted us to understand that the tragedies of your life one day have the potential to be comic stories the next.

My closet is full of sad little scripts that didn't get made that have sad endings. It's very hard to get a movie made that has a sad ending.