The hardest thing about writing is writing.

A lot of college graduates approach me about becoming screenwriters. I tell them, 'Do not become a screenwriter, become a journalist,' because journalists go into worlds that are not their own. Kids who go to Hollywood write coming-of-age stories for their first scripts, about what happened to them when they were sixteen. Then they write the summer camp script. At the age of twenty-three they haven't produced anything, and that's the end of the career.

Everybody dies. There’s nothing you can do about it. Whether or not you eat six almonds a day. Whether or not you believe in God. (Although there’s no question a belief in God would come in handy. It would be great to think there’s a plan, and that everything happens for a reason. I don’t happen to believe that. And every time one of my friends says to me, “Everything happens for a reason,” I would like to smack her.)

My closet is full of sad little scripts that didn't get made that have sad endings. It's very hard to get a movie made that has a sad ending.

I am continually fascinated at the difficulty intelligent people have in distinguishing what is controversial from what is merely offensive.

Let's face it: part of being a grownup is that every day you have to choose between going out at night or staying home, and it is one of life's unhappy truths that there is not enough time to do both.

That's another thing about being a certain age that I've noticed: I try as much as possible not to look in the mirror.