A lot of American actors I work with are in character all day long. You can't talk to them. It's Method and the whole thing.

I don't like to think that maybe I'm just getting old. I'm not too excited about watching a huge explosion. I'm more interested in people and characters.

A lot of American actors I work with are in character all day long. You can't talk to them. It's Method and the whole thing.

Obviously, In The Heat Of The Night was a landmark movie because the timing was perfect. It was in the middle of the Civil Rights Movement.

When you deal with a film that takes place in Europe, and you're going to work in English, you'd better work with European actors.

Every generation deals with the breaking down of its tradition, and I think that they rediscovered the film.

I mean they're making remakes of my films and I'm not even dead yet! Why would you want to make a remake?