So we gravitated to shows and issues and causes that made people care.

Bud [Yorkin] broke out big when he did 'The Fred Astaire Show' and won four Emmys. His wife at the time suggested that we team up. We got a lot of press in show business papers, and a number of offers...we eventually signed with Paramount Pictures. But I always like to say, his was the horse that we rode in on. That is my favorite recollection.

As a matter of fact, when people ask where my 'point of view' comes from, it was there in one of the first sketches we wrote for [Dean] Martin and [Jerry] Lewis.

I don't know how you can look back with regret if you're at a moment when everything seems fine.

... For all our alarm, it is clear that the religious right is responding to a real hunger in our society... a deep-seated yearning for stable values... When conservative Christian groups talk of failures in our educational system, the erosion of our moral standards, and the waste of young lives, they are addressing real and legitimate concerns... Among secularists, the aversion toward discussion of moral values, let alone religion, can reach absurd extremes.

I guess the story that best defines us [with Bud Yorkin] and our relationship goes back to the [Dean] Martin and [Jerry] Lewis show. The four stage managers on that show became major TV creators and directors - John Rich, Jack Smight, Arthur Penn and Bud Yorkin.

We are a country of excess. So it's not the violence, per se, but the exacerbation and constant repetition.