Writing books is the closest men ever come to childbearing.

Writing can wreck your body. You sit there on the chair hour after hour and sweat your guts out to get a few words.

Three miles long and two streets wide, the town curls around the bay ... a gaudy run with Mediterranean splashes of color, crowded steep-pitched roofs, fishing piers and fishing boats whose stench of mackerel and gasoline is as aphrodisiac to the sensuous nose as the clean bar-whisky smell of a nightclub where call girls congregate.

The horror of the Twentieth Century was the size of each new event, and the paucity of its reverberation.

It's very bad to write a novel by act of will. I can do a book of nonfiction work that way - just sign the contract and do the book because, provided the topic has some meaning for me, I know I can do it. But a novel is different. A novel is more like falling in love. You don't say, 'I'm going to fall in love next Tuesday, I'm going to begin my novel.' The novel has to come to you. It has to feel just like love.

Television is coitus interruptus brought into aesthetics.

We are in love with the word. We are proud of it. The word precedes the formation of the state. The word comes to us from every avatar of early human existence. As writers, we are obliged more than others to keep our lives attached to the primitive power of the word. From India, out of the Vedas, we still hear: On the spoken word, all the gods depend, all beasts and men; in the world live all creatures...The word is the name of the divine world.