My best efforts were some modern things that looked like very lousy Matisses. Thank God I had the sense to realize they were lousy, and leave Paris.

I talk as I sketch, too, in order to keep their minds off what I'm doing so I'll get the most natural expression I can from them. Also, the talking helps to size up the subject's personality, so I can figure out better how to portray him.

Travel is like a tonic to me. It's more than just getting away from the studio for a brief rest. I need it to recharge my batteries.

When I go to farms or little towns, I am always surprised at the discontent I find. And New York, too often, has looked across the sea toward Europe. And all of us who turn our eyes away from what we have are missing life.

If there was sadness in this creative world of mine, it was a pleasant sadness. If there were problems, they were humorous problems.

I can take a lot of pats on the back. I love it when I get admiring letters from people. And, of course, I'd love it if the critics would notice me, too.

Commonplaces never become tiresome. It is we who become tired when we cease to be curious and appreciative.