Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art.

One talks much more about the evil than about the good. That is a paradox. We should only talk about the good to lighten up our existence. Chase anxiousness/fear away for a moment before it sneaks back in again to our life.

A topic is not interesting enough until it is multi layered. There is no vigor in a motive without many layers. One also learns quite a lot when one has been working on a difficult painting. That is my feeling. I believe that.

Because modernism has conquered art, kitsch is the savior of talent and devotion.

Everything is a meaningless struggle against nothing and when people say that the world has become a better place that is a false development-optimism. Nothing exists which ever becomes better. Everything stays the same. Somehow, there is nothing. That is so sad. Nothing to come to. Everything is an illusion. A very sweet illusion.

To be contemporary actually means to be an artist. [But] I do not feel contemporary in my work. I perceive my work as old-fashioned. It does not have a frame of actuality in our time or locality.

The world somehow is always the same. The only thing that can improve is the individual life. One can live a good life. One can give life a meaning. Either by drinking oneself to death or by painting oneself to death or by loving oneself to death.