For the sake of sanity, the brain and the eyes keep things simple. But take away the sense of sight and suddenly things are not so simple.

I myself have already spent a third of my life in Germany, first in Cologne and then, since 1994, in Berlin.

I don't think you need to be so result-oriented when you're trying to define the success of an art work. I think we can allow some unpredictability.

I believe that access to electricity and light can radically improve people‚ lives.

Your rainbow panorama enters into a dialogue with the existing architecture and reinforces what is assured beforehand, that is to say the view of the city. I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into a part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving.

Every city is always changing, on its own trajectory.

I want to expose and evaluate the fact that the seeing and sensing process is a system that should not be taken for granted as natural - it's a cultivated means of reality production that, as a system, can be negotiated and changed.