I don't know a single collector or museum director who says: 'Oh, he's on a list, so I think I'll buy something of his.' The people who buy my art put a little more thought into it than that.

Ive walked a lot in the mountains in Iceland. And as you come to a new valley, as you come to a new landscape, you have a certain view. If you stand still, the landscape doesnt necessarily tell you how big it is. It doesnt really tell you what youre looking at. The moment you start to move the mountain starts to move.

In the past Berlin was much more radical and extreme and now it's becoming much more of a conventional European city.

My goal is to formulate a new color theory based on the full spectrum of visible light.

By bringing Little Sun to Tate Modern and the London Olympics, I hope to realise an art project for those who typically have no access to global events of this scale.

I see the artist as a participant, a co-producer of reality.

I don't think you need to be so result-oriented when you're trying to define the success of an art work. I think we can allow some unpredictability.