I myself have already spent a third of my life in Germany, first in Cologne and then, since 1994, in Berlin.

I can use the camera to make a place or landscape; the camera to a greater extent projects rather than takes in or reproduces. The camera, or, rather, the eye, produces the impression of the place: I as a photographer am not passively taking in; I am active as a subject generating the object.

I believe that access to electricity and light can radically improve people‚ lives.

My goal is to formulate a new color theory based on the full spectrum of visible light.

In the past Berlin was much more radical and extreme and now it's becoming much more of a conventional European city.

I do not think making art alone makes it any better than making it with a team of people.

Over the years, in making art, I have constantly explored issues dealing with space, time, light, and society. I am particularly interested in how the light of a space determines how we see that space and similarly, in how light and color are actually phenomena within us, within our own eyes.