I do not think making art alone makes it any better than making it with a team of people.

I can use the camera to make a place or landscape; the camera to a greater extent projects rather than takes in or reproduces. The camera, or, rather, the eye, produces the impression of the place: I as a photographer am not passively taking in; I am active as a subject generating the object.

I always try to make work that activates the viewer to be a co-producer of our shared reality.

I see the artist as a participant, a co-producer of reality.

There are 1.3 billion people today who have no access to electricity. Many of them rely on kerosene lanterns for light, but kerosene is both expensive and hazardous to the health.

Light has an evident, functional and aesthetic impact on our lives.

I think an artist has the potential to investigate both form and content within one activity, to show that there can be coherence between form and values in our society, as in thinking about a city and building one.