In any film there's always a historical implication.

You can never judge how the film will be taken; you can only make your best effort, and put out what you feel. How it's read, you never can tell. Or remembered for that matter.

I guess you could say Alexander the Great was a man who completely transported me and moved me and inspired me because of his idealism, and I'd go back to the Greeks, and I always liked Homer and all the philosophers and their way of thinking and their concept of honor. I think their concept of honor does apply to the modern age, and certain people that walk around are pre-Christian.

I have skipped from style to style from film to film, and I love doing that because it's given me the ability to free myself from the past. Perhaps one of the worst feelings that I can have is the feeling that I'm locked in, like a prisoner of myself, which is something we all feel at some point in our lives. So part of making those stylistic jumps is just to free myself up-to get away from the old or the old Oliver Stone.

I may have disparaged the idea that people are looking at films on smaller and smaller screens... it's a shame that people have to watch DVDs with the lights on in a television-type situation where people are wandering in and out of the room. Movies are different from television, and you cannot watch movies like television. It distorts it.

Films might get to you and your subconscious and make a little difference, but when the vigilante drum beats, the mob screams and the conformists go along with it. There have to be people who are non-conformists.

We all know what we know. We experience with our minds and breath.