In any film there's always a historical implication.

All the Greek mythic heroes had gone east, but they were myths. Achilles was a myth. Perseus, Theseus, Hercules... they probably existed in some form. But they all went east. That's where a Greek went to make his bones so to speak. And Alexander the Great was the first man who actually went east not to plunder, not to loot and come back to Greece - which is where the Macedonians wanted to go back with the money. He stayed. And he became half-Eastern.

I'd like to do a story about the medieval ages where in every scene you'd sort of feel that you were in the 12th century. That would be great to get that feeling.

I'm interested, I suppose, in tortured power.

The Greek playwrights, we're all beholden to them, every one of us.

Films might get to you and your subconscious and make a little difference, but when the vigilante drum beats, the mob screams and the conformists go along with it. There have to be people who are non-conformists.

Franklin Roosevelt is one of the great leaders because he does get along with other people. He makes this huge effort. He's a very charming man. He tries to bring Joseph Stalin and Winston Churchill into this tripartite agreement to run the world. And he really was close. If he hadn't died in April of '45, the whole history would be different.