Well first of all you have to make the character strong so that people can follow that. And then hopefully that character can integrate with the background of the social situation that people can recognize.

Everyone in the world is impacted by the United States' Big Brother attitude toward the world. We need countries to say no to the United States. The United States is the dominant power in the universe, with its eavesdropping abilities, cyber abilities. And the world is in danger with our tyranny.

In any film there's always a historical implication.

In trying to make a broader historical point about the range of atrocities the Germans committed against many people, I made a clumsy association about the Holocaust, for which I am sorry and I regret. Jews obviously do not control media or any other industry. The fact that the Holocaust is still a very important, vivid and current matter today is, in fact, a great credit to the very hard work of a broad coalition of people committed to the remembrance of this atrocity - and it was an atrocity.

Robert Kagan said the neocons couldn't get a better president than Hillary Clinton, who would enforce the neocon foreign policy. No one's questioned it.

I have skipped from style to style from film to film, and I love doing that because it's given me the ability to free myself from the past. Perhaps one of the worst feelings that I can have is the feeling that I'm locked in, like a prisoner of myself, which is something we all feel at some point in our lives. So part of making those stylistic jumps is just to free myself up-to get away from the old or the old Oliver Stone.

I make my films like you're going to die if you miss the next minute. You better not go get popcorn.