I was trying to find out what happened in my lifetime, because I was an older man. We lived through two terms of George Bush, and I was wondering, "Is he an exception to the rule, or he is a continuation? What is driving all these wars? What is driving this attitude of aggressiveness and militarism?" I got my answer - and it was a shocking answer. I found is this whole strain of history, this whole school has been denied by the media. It is a bizarre blindness, because we are such an intelligent country. It's bizarre that we can't get our own history straight.

Get the overall. Some of my films may have been crude at times, or tough, or missed the points, but I've tried to get the overall in. I think that's more important. You may miss a thing or two, but you move faster. If you can do it in three takes, do it in three takes.

writing = ass + chair

I have skipped from style to style from film to film, and I love doing that because it's given me the ability to free myself from the past. Perhaps one of the worst feelings that I can have is the feeling that I'm locked in, like a prisoner of myself, which is something we all feel at some point in our lives. So part of making those stylistic jumps is just to free myself up-to get away from the old or the old Oliver Stone.

When I'm working with another writer, I tend to make a lot of effort. When I collaborate with a writer, I'm not interested in credit, but I'm feeding him stuff all the time that I feel is important to shaping the script.

I will come out with my interpretation. If I'm wrong, fine. It will become part of the debris of history, part of the give and take.

But in answer to your question about the conspiracy angle, I think that any historian worth his salt, and this is where I fault Stephen Ambrose and a lot of these guys who attack me - not all of life is a result of conspiracy by any means! Accident occurs alongside conspiracy.