When I started at [Nina] Ricci, I did street wear for very cool, young girls but the price point was for the fourth floor of Bergdorf Goodman next to Carolina Herrera. My cool girls cannot afford it.

What is sure is that the satellite view of our world and its evolution is now a common reality.

Historical costumes from the 18th and 19th centuries look so complicated, but when you see the patterns, it's very systematic. I've always been impressed by how the patterns economize the fabric.

The only shoes that look futuristic are Crocs, but they would be terrible to use in a futuristic movie.

Even during the golden age of fashion, you had haute couture houses where the designers didn't have money.

We always see the point of an iceberg. So I've always accepted the idea that people - they don't necessarily know everything I am.

I am more used to seeing my work like a big collection, and only part of it is being shown.