When I started at [Nina] Ricci, I did street wear for very cool, young girls but the price point was for the fourth floor of Bergdorf Goodman next to Carolina Herrera. My cool girls cannot afford it.

In fashion, we don't often know the prices. We don't have time to go into the stores.

What is sure is that the satellite view of our world and its evolution is now a common reality.

When I started at [Nina] Ricci, I did street wear for very cool, young girls but the price point was for the fourth floor of Bergdorf Goodman next to Carolina Herrera. My cool girls cannot afford it.

I am not a designer that buys vintage to be inspired.

What is funny is when you do a futuristic movie, you immediately get to be fashionable because you're creating something that doesn't exist.

The aim of being a good designer is to have an influence. If you design furniture or lifestyle, you should influence the way people evolve globally. It's good to have an influence. I feel like people on the street today probably dress better than they did in the '50s.