What is funny is when you do a futuristic movie, you immediately get to be fashionable because you're creating something that doesn't exist.

I see the city as an organism, shaped through time by the little humans having habits and doing millions of stuff in and out of it.

Historical costumes from the 18th and 19th centuries look so complicated, but when you see the patterns, it's very systematic. I've always been impressed by how the patterns economize the fabric.

Knitted fur is so modern and light, it makes this retro shape cool again.

I don't like to go beyond modernity because you think girls might be like that in five years, but in five years what I see now is going to be old; we are always going to go somewhere else. You have to bring a few novelties within what will remain.

I rarely stay at home when I'm in New York. I'm always doing things. It brings you so much energy.

For a long time I have been thinking about affordable fashion - you can be disappointed when not so many people can wear your stuff.