People who don't know me sometimes call me 'Mademoiselle.'

I see the city as an organism, shaped through time by the little humans having habits and doing millions of stuff in and out of it.

Making clothes that everybody can wear is also something that stimulates me a lot, because I have this edgy, fashion-y part, but I am also totally involved with a brand that is about how people dress, and what they want. And it's a whole other look you can have on the street. It's exciting because it speaks to the other part of my job and what my passion is. A designer wants to make something useful for as many people as possible.

The aim of being a good designer is to have an influence. If you design furniture or lifestyle, you should influence the way people evolve globally. It's good to have an influence. I feel like people on the street today probably dress better than they did in the '50s.

When the economy changes, it's not like you want to start eating bad-tasting chocolate.

Knitted fur is so modern and light, it makes this retro shape cool again.

People who don't know me sometimes call me 'Mademoiselle.'