I see only defects because I'm not following the scene as it were. I'm not following the other person. It's like the best thing to clarify this is the theater.

They didn't accept me theory - not a theory, but just a thought I had about this character. I noticed that this man only exists when the boy comes into the grocery.

I don't know what sex appeal is. I don't think you can have sex appeal knowingly. The people who seduce me personally are the people who seem not to know they're seductive, and not to know they have sex appeal.

I want to live every moment totally and intensely. Even when I'm giving an interview or talking to people, that's all that I'm thinking about.

To learn bad dialogue is so difficult and so boring, and to work with a stupid director who tells you to do the wrong thing, etcetera, it's just unbearable.

This is one of the factors that also made me very much want to make this film, apart from the fact that I loved it. If the boy hadn't been Jewish and the man hadn't been Muslim, it wouldn't have made any difference to the film. I don't think it's relevant, really.

For some men, nothing is Written unless they Write it.