That's really the big inspiration of this movie. It's really looking at a man who's really showing all the traits and all the characteristics of the classic patriarchal country, where he's of military power, he's the king of the hill at home, as well as in the streets. He has the liberty to live where he wants.
Oren MovermanThe first view is "bad apple." Bad apple is excusable. It's sort of like, something went bad with this man. But the second option is police corruption, so it's a problem with the department.
Oren MovermanFirst of all, we occupied Afghanistan and Iraq and I'm not even talking about the past occupation of them, I'm just talking about currently. And we all know that occupations, in military terms, comes down basically to policing, so you have an army basically functioning as a police force in these foreign territories as part of foreign policy. I'm not knocking that down, I'm just observing.
Oren MovermanI'm looking into a different actor's eyes every couple days, and I'm learning so much just to see the different processes people go through, and how their acting works for them.
Oren MovermanI think the most emotional part in making the movie and discovering the movie - because it was a process of discovering - is all the scenes with the family.
Oren MovermanThere's no solutions to prevent corruption because it's the same thing as putting soldiers in an occupation in a foreign territory - there's too much that's gonna go wrong. There's too much human behavior that's going to get in the way. So you're gonna have to start thinking about it in a different direction, and the different direction is: what is wrong with society?
Oren Moverman