So the only problem that you have is actually switch things in the department, changing things, controlling things, putting it maybe under federal supervision, and if you fix the department, you'll fix the problems - with police corruption, with brutality, with evidence tampering, all those things.

I think you can blame certain police officers for certain behavior, you can blame certain departments for certain behavior, and power and so forth, but, ultimately, I'd say it's about us, and it's about society, and I say - even if its sounds a little controversial - put the police aside for a second. It's really not about them. It's about the game that's been created to keep the status quo going and to let the people who own it all gain from the game.

But the reality is that the police serve a certain function, to maintain a certain status quo, and that's one of the things that the movie is about, because it basically gives you three options for looking at the police, as symbolized by Dave Brown.

I'm looking into a different actor's eyes every couple days, and I'm learning so much just to see the different processes people go through, and how their acting works for them.

All the scenes that have to do with the fact that, at the end of the day, we're all engaged - hopefully some of us - in certain causes and ideals and certain ways of living, but we're human, and we're making all these mistakes, and we're caught in particular systems - whatever it is - but ultimately, there's a price paid by the people that are closest to you.

That's really the big inspiration of this movie. It's really looking at a man who's really showing all the traits and all the characteristics of the classic patriarchal country, where he's of military power, he's the king of the hill at home, as well as in the streets. He has the liberty to live where he wants.

I think the most emotional part in making the movie and discovering the movie - because it was a process of discovering - is all the scenes with the family.