I love art because I feel that it's evidence of the great shared universal power. I like art that feels real, that cuts the bullshit.

I don't need to feel 100% safe, but I have to feel like there's room for me to go a little bit insane if I'm going to have good ideas. Because a good idea is a new idea and if you start going around like, "I have this new idea!" most people are gonna be like, "I've never heard that before, that sounds fishy."

I love art because I feel that it's evidence of the great shared universal power. I like art that feels real, that cuts the bullshit.

You can't be a free spirit in a place that feels like it was built on lockdown.

In fiction the narrator is a performance of voice, and it can be any style of voice, but I'm interested in the ways that a voice that knows it's telling a story is actually telling a different story than it intends to. In the way that I can sit here and tell you what I had for breakfast, but I'm really telling you that I'm having an affair, something like that. And I don't think my writing is plain, but I think a lot of my characters are just talking. There is vulnerability there, in that we can start to see through them, we can start to see where they're deceiving themselves.

What's inspiring me the most [is] injustice. My own growth as a member of the human race, in terms of the veils being lifted, seeing more of the beauty and also the horror. A sense of my own purpose in this life. Love...

I've dedicated a lot of my life as a writer to understanding how to hear the divine voice, or the music of the spheres, or whatever it is that we do when we're making art, making something out of nothing. Figuring out how to do that is much more important than knowing how to execute a good line. I don't think about that anymore, I just write.