Canada is the worst polluter in the world right now. There's absolutely no sign on a federal level that there's going to be any alleviation of the polluting that's going on. Even the Parti Québécois in Québec, which is historically a party that has been leftist and environmental - they are trying to give $450 million subsidies to polluting enterprises in Gaspé. These, to me are my problems.

I feel like people who actually know how music works on a technical level need to explain it to the rest of us a little more often.

I wanted to preemptively make myself as available as possible, so it would be impossible for anyone to form the wrong impression and make me uncomfortable with the way they were digesting my music.

Canada is the worst polluter in the world right now. There's absolutely no sign on a federal level that there's going to be any alleviation of the polluting that's going on. Even the Parti Québécois in Québec, which is historically a party that has been leftist and environmental - they are trying to give $450 million subsidies to polluting enterprises in Gaspé. These, to me are my problems.

I've always identified people's taste in music as being kind of hetero and/or homo - there's music people like because they feel like they have aesthetic similarity to it and the music they wish to create, and then there's music that represents the other, that they listen to because it represents an escape from the music that they have to make.

Regarding gay and music, I don't actually think my music is particularly gay at all, because my music doesn't have sex with men. My music does not have a gender, I don't see it as being gay.

I feel as if dystopian and utopian representations are historically the most effective way of criticizing modern society. You know, because you don't have to be factually accurate. You can kind of construct some awesome strawman arguments in your fictional world.