Its easy to gauge the worth of a man, just ask them what they think of Yoko Ono.

I had identified discipline as a really important part of my life, in maintaining my sanity. It's kind of interesting when people don't know me and then get to know me and see just how workaholic I am and how unhappy I am when I don't have something to work on, or if I am not provided with the tools to be able to accomplish those things, like touring without my looping rig or without a piano, I'm just kind of like, 'Aahhh, what do I do with my day?' To me, that's just a large part of my sanity.

I've always identified people's taste in music as being kind of hetero and/or homo - there's music people like because they feel like they have aesthetic similarity to it and the music they wish to create, and then there's music that represents the other, that they listen to because it represents an escape from the music that they have to make.

I desperately want children. I want like four of them. But I will never have them, I mean at least with the current circumstances, living with my boyfriend.

I wanted to preemptively make myself as available as possible, so it would be impossible for anyone to form the wrong impression and make me uncomfortable with the way they were digesting my music.

I feel as if dystopian and utopian representations are historically the most effective way of criticizing modern society. You know, because you don't have to be factually accurate. You can kind of construct some awesome strawman arguments in your fictional world.

Regarding gay and music, I don't actually think my music is particularly gay at all, because my music doesn't have sex with men. My music does not have a gender, I don't see it as being gay.