I feel like people who actually know how music works on a technical level need to explain it to the rest of us a little more often.

The thing is, when you're kind of creatively self-employed, your brain just kind of chooses the path of least resistance, so if you really exhausted and you've had a long day, then that's typically when you might respond to emails or if you're on a plane and have nothing else to do, then you might listen to music and write these satirical pieces trying to explain the charts with music theory.

I feel as if dystopian and utopian representations are historically the most effective way of criticizing modern society. You know, because you don't have to be factually accurate. You can kind of construct some awesome strawman arguments in your fictional world.

I wanted to preemptively make myself as available as possible, so it would be impossible for anyone to form the wrong impression and make me uncomfortable with the way they were digesting my music.

I have this weird thing where all the artists that I find myself engaging with the most are the ones that I have a bone to pick with.

Its easy to gauge the worth of a man, just ask them what they think of Yoko Ono.

Canada is the worst polluter in the world right now. There's absolutely no sign on a federal level that there's going to be any alleviation of the polluting that's going on. Even the Parti Québécois in Québec, which is historically a party that has been leftist and environmental - they are trying to give $450 million subsidies to polluting enterprises in Gaspé. These, to me are my problems.