Carrie was a pretty big-budget movie at a real studio, with a director that had already done a bunch of things and had some notoriety, and Stephen King was the writer. He was banned from the set, but that was kind of an A-plus production. So that was my first experience.

I wasn't especially a Broadway type. I liked film acting better. I didn't want to stay up late. I wasn't a smoker, a drinker, or a drug-taker. So that kind of Broadway life - not that that's what they do. But they do stay up late and hang out at Joe Allen's until 2 in the morning, and that just wasn't for me.

It was always fun auditioning for commercials, because that was the beginning of my career, and me figuring out how I was going to portray myself as an actress vs. a model, because models were very different back then in the early '70s. They didn't usually hire models for acting. But I acted first in commercials and then I did modeling, so it was a little different.

John Carpenter was very gentle. He was very tender. He really liked talking to actors. He really wanted you to be comfortable. He waited until you were ready to do the scene, and he has a lot of confidence.

I never really liked the lyrics or the sameness of the music. It always seemed to have the same rhythm or whatever. But when it turned a little more rock, I kind of liked it. I like what Kid Rock did to country. I like all the modern, new stuff that's coming out, and it just so happens that my boyfriend is not a country player, but he was a rock musician.

We've become great friends with Rob Zombie, and I gave him my original script for Halloween for his 40th birthday. Like, Nicolas Cage was there with a shrunken head he brought as a gift, all these things, and I'm thinking, "What can I give Rob Zombie? This is very weird." And I just happened to look at my pile of scripts and I went, "My kids don't need all these. I think I'll give him my original Halloween script, since he told me that was his favorite movie, and I was his favorite actress from that time period." I said, "He deserves to have that."

The Jawbreaker writer-director Darren Stein was a huge fan of Carrie and Halloween. He was like a kid. He was 26, so he was such a fan. He wanted William Katt and I, from Carrie, to be in the movie as the parents. We had a little bit more that ended up on the cutting-room floor, but that was kind of fun. Everybody that worked on that movie was really cool, including the girls, especially the new girl, the blonde, Judy Greer.