In the distance someone is singing.

Then I speak to her in a language she has never heard, I speak to her in Spanish, in the tongue of the long, crepuscular verses of Díaz Casanueva; in that language in which Joaquín Edwards preaches nationalism. My discourse is profound; I speak with eloquence and seduction; my words, more than from me, issue from the warm nights, from the many solitary nights on the Red Sea, and when the tiny dancer puts her arm around my neck, I understand that she understands. Magnificent language!

I have been a lucky man. To feel the intimacy of brothers is a marvelous thing in life. To feel the love of people whom we love is a fire that feeds our life. But to feel the affection that comes from those whom we do not know, from those unknown to us, who are watching over our sleep and solitude, over our dangers and our weaknesses – that is something still greater and more beautiful because it widens out the boundaries of our being, and unites all living things.

I've come within range of hate. Terrifying, its tremors, its dizzying obsessions. Hate's like a swordfish invisible in the water, knifing suddenly into sight with blood on its blade- clear water misleads you.

Maybe someone will know I didn't weave crowns to draw blood; that I faught against mockery; that I did fill the high tide of my soul with truth. I repaid vileness with doves.

I don't know who it is who lives or dies, who rests or wakes, but it is your heart that distributes all the graces of the daybreak in my breast.

You must know that I do not love and that I love you, because everything alive has its two sides; a word is one wing of silence, fire has its cold half. I love you in order to begin to love you, to start infinity again and never to stop loving you: that’s why I do not love you yet. I love you, and I do not love you, as if I held keys in my hand: to a future of joy- a wretched, muddled fate- My love has two lives, in order to love you. -Sonnet XLIV