I love you without knowing how, or when, or from where. I love you simply, without problems or pride: I love you in this way because I do not know any other way of loving but this, in which there is no I or you, so intimate that your hand upon my chest is my hand, so intimate that when I fall asleep your eyes close.

From scarlet to powdered gold, to blazing yellow, to the rare ashen emerald, to the orange and black velvet of your shimmering corselet, out to the tip that like an amber thorn begins you, small, superlative being, you are a miracle, and you blaze

I love all things, not because they are passionate or sweet-smelling but because, I don't know, because this ocean is yours, and mine: these buttons and wheels and little forgotten treasures, fans upon whose feathers love has scattered its blossoms, glasses, knives and scissors -- all bear the trace of someone's fingers on their handle or surface, the trace of a distant hand lost in the depths of forgetfulness.

There were thirst and hunger, and you were the fruit. There were grief and the ruins, and you were the miracle.

so I love you because I know no other way than this: where I does not exist, nor you, so close that your hand on my chest is my hand, so close that your eyes close as I fall asleep.

You are like night, calmed, constellated. Your silence is star-like, as distant, as true.

Political poetry is more profoundly emotional than any other-at least as much as love poetry-and cannot be forced because then it becomes vulgar and unacceptable. It is necessary first to pan though all other poetry in order to become a political poet.