There's no social realism in 'Tyrannosaur.' It's not about the social landscape or the political landscape or any of that. It's just about human beings. I never made 'Tyrannosaur' in reference to anybody - I just made it because I had to make my own films.

Its different being a director. I suppose, especially if its a story youve written and you feel compelled to tell, in some ways its a lot easier than acting because youre orchestrating the piece. As an actor, sometimes youre trying to second-guess what people want.

When you're having conversations about actors, you realize these same conversations have happened about you. If you want to make a film for $5m, then you cast A, B and C, but if you want $20m, you won't be able to cast them, you need X, Y and Z.

My fascination is not for cinema; it's for human nature and human beings because I find it quite difficult being one at times.

Being a director is almost like being another sort of character, but you're out of view.

I would hate to be thrust into the middle of a big film and not deliver. There's young actors and they're put into these central roles and they're commanding armies - but they can't quite pull it off. I'd much rather do it in small steps and build it from there.

It's such a stressful environment, I find, being an actor, being put in the chair and "Touch this, that, and the other," it's too much for me. I find it hard to tolerate that sort of stuff. If you're not enjoying it, don't do it. You're wasting everyone's time.