Being a director is almost like being another sort of character, but you're out of view.

I can't afford to step away from acting, but the one thing I've learnt after all these years is that I don't fit in. It's very difficult to be at the mercy of other people's whims and visions.

I live in a state of hypersensitivity, and I've always had this feeling that something bad is going to happen to myself, or my wife and children. This manifests itself in different fears and visions.

I don't want to be disrespectful to people who are incredible at their craft, but the truth is, if I didn't get paid for it, I wouldn't act. The best-paying jobs are usually the worst films. You're a very small cog in a big machine.

There is nothing worse than when actors come to a set - and it happens a lot with big stars - and they are too aware of where the camera is. They are the show. And that becomes apparent and it affects the production. I am like 'You should not know where the camera is - you should act, and I will do the rest.'

I think it's a shame when the arts have to suffer because of corporate greed. People will always strive to make film, and the only important thing is that we keep trying to make ourselves heard and keep making our films, no matter what the climate is.

There's no social realism in 'Tyrannosaur.' It's not about the social landscape or the political landscape or any of that. It's just about human beings. I never made 'Tyrannosaur' in reference to anybody - I just made it because I had to make my own films.