Coming from the '50s, things were very violent. We were still being lynched. If I drove down through the South with my mother, I might not make it through one state without being bullied or harassed. I feel like unless you've been black for a week, you don't know.

Yes, you can have art films about the triumph of the human spirit and all of that, but you'll have it done with a big-budget icon with a $20 million salary. You'll have Julia Roberts, you'll have Robert Redford, you'll have Russell Crowe doing those films, because if they're going to cost $90 million, they're going to make that movie for a public that's very large and mainstream. They're not going to make it for three or four million black people.

Everyone else can do violence. You know, Clint Eastwood, Sylvester Stallone, they can all do shoot-'em-ups. Arnold Schwarzenegger can kill 10 people in one minute, and they don't call it "white exploitation." They win awards and get into all the magazines. But if black people do it, suddenly it's different than if a white person does it. People respond differently because people come from different places.

It's the best honor when someone wants to use as their professional title the name of a character that you portrayed.

I will not be on this planet. I may come back in another form, and you know, I'll come back as a white man.

I consider myself conscious of how we're treated, and sometimes I can be a feminist.

My grandfather was the first feminist in my life. He taught me if a woman can do something, a man will respect her.