Coming from the '50s, things were very violent. We were still being lynched. If I drove down through the South with my mother, I might not make it through one state without being bullied or harassed. I feel like unless you've been black for a week, you don't know.

At the beginning, my ambition was never to break down doors. It was just to earn tuition for myself and work in an industry where women hadn't been allowed or invited. That's all I wanted to do, not thinking that I would make waves, change minds, excite people, incite people, turn on people, repulse people.

That's what he was saying, the civil rights movement - judge me for my character, not how black my skin is, not how yellow my skin is, how short I am, how tall or fat or thin; It's by my character.

I tell young actresses today who are looking to get into films, "First of all, you are marginalized by the color of your skin." I tell actresses, "If you're too tall, if you're too fat, you're not going to work. I don't care how talented you are." It's a business, and sex sells. Sex, action, special effects, and violence sell. Yes, you can have art films about the triumph of the human spirit and all of that, but you'll have it done with a big-budget icon with a $20 million salary.

I was a child of the women's movement. Everything I had learned was from my mother and my grandmother, who both had a very pioneering spirit. They had to, because they had to change flat tires and paint the house - because, you know, the men didn't come home from the war or whatever else, so women had to do these things.

I came from poverty and was part of those circumstances.

I don't want to be an actress, because I think that they have to be really pretty, and I'm not.