The internet has created a transnational audience. If you publish something in the New York Times, it's read all over the world. Who knows how big this audience is or how long it will last.

I think what's important and extraordinarily practical about Buddhism, is that it offers very concrete methods for people to work with.

I think our conception of literature should accommodate not only apolitical writers but also those whose political opinions we find unpalatable. Fiction after all comes from a different, less rationally manipulable side of the brain. I am personally very attached to reactionary figures like Dostoyevsky, Hamsun, and Céline.

I think overtly political novels - those that never transcend or contest their author's conscious intentions and prejudices - are problematic. This is not just true of the innumerable unread books in the socialist realist tradition, but also of novels that carry the burden of conservative ideologies, like Guerrillas, Naipaul's worst book, where the author's disgust for a certain kind of black activist and white liberal is overpowering.

We need to infuse politics with ideas like compassion and empathy, and a sense that we live in an interdependent world.

When I first decided to be a writer, that meant dealing with preoccupations and concerns that took little account of Indian traditions. I saw India's past as part of an antiquity rendered irrelevant by modernity, which with its science, nation states, free enterprises, and consumer societies was supposed to have solved all problems.

I meditate at airports because those are the places where I’m extremely tense, and I often meditate while I’m walking down the street. I have a thought and become aware of that thought and thereby create another level of awareness.