I ran to Rachel [Comey]'s show and on the way I found a potted tree - an umbrella tree - on the street. I always think things are going to be way more intimate than they are and there aren't going to be a lot of people around. I don't know why I think this. I'm always shocked at what a hoopla things are. They were like, 'Hurry up.' So I put the tree down and I see Rachel and she's like, 'Hurry up, sit down.'

You're talking to someone, to a reader, and you get to express in the way you want to. And you get to play with it. It's kind of like acting, but it's on paper.

Black eyeliner says 'You've been through stuff, you know things'.

Sometimes you're not in the best environment. Sometimes you're not speaking the same language and it's not a good place to work. It's a lot to give, actually. And for not a lot of money.

I think Jesse Eisenberg is such a great writer. He was a great director and really tough.

I would like a nice, powerful, mind-altering substance. Preferably one that will make my unborn children grow gills.

I don't have a publisher yet, so I'm not in the process of that next stage and I don't know what that's going to look like. So I feel like I finished stage one [with my book].