We live in a time when people are afraid of beauty, because beauty passes; you can't hang on to it. And even if you see something or someone beautiful, the next time you hear it, it sounds different. So you can't cling to beauty; beauty passes and when that passes, you realize you pass too, and you will die. And that's why people cry at a beautiful view, a beautiful lecture, a beautiful painting, a new baby.

I want art to affect the viewer and for the viewer to take it away to enhance, embrace, and elevate life. That's the spiritual aspect. Painting is a spiritual practice, but sometimes it is hard to give up control!

I'm purposeless. I'm making art because I want you to look at that painting and I want it to affect you in some way, to change what you see, to change how you see it. To change how you see something, whatever.

I consider my work non-objective and I think abstract is an abstraction of something, like a landscape. Abstraction means something is abstracted. It relates to something. Non-objective relates to nothing. It has no object.

To handle paint the way Pollock did, you need the muscularity of a ballet dancer.

I have my moods, but I can always see something beautiful.

The spiritual in my art is giving up control. My paintings are based on what I can do, and what I can do is not controlled. So I give up control, and that's the spiritual aspect of the work - taking what comes and relinquishing control. Although they look very controlled, they're really not, because it's all poured paint.