As a spectator, I have very eclectic taste, whether it's comedies or action or very small, intimate films. And I feel as a filmmaker I should be able to have that same eclectic taste.

Married people from my generation are like an endangered species!

I think the best thing I learned from drawing comics is that it's a great exercise in concision.

I like films that are well-written and concise and with not a lot of room for improvisation.

I see people growing more and more isolated in their lives. It's not like it's a new thing, but it's more preoccupying now as you can do so many things without leaving your home. You can work, shop, do everything from home, and I find this unsettling.

If a film is very clever and well-written, that's what gives you freedom as a director. Part of the freedom in directing, for me, is that I'm also the camera operator. That's the place where things are less rigid, where I can adjust as I go along.

I'm not one to dwell on rehearsal or preparation. I like to just go out and do it. Of course, that doesn't mean actors are free to do whatever they like, they're always being directed.