When I am thickening my plots, I like to think 'What if ... What if ... ' Thus my imagination can move from the likely, which everyone can think of, to the unlikely-but-possible, my preferred plot.

I was in New York. Hitchcock was in California. He rang me to make a report on his progress and said, I'm having trouble. I've just sacked my second screenwriter

January. It was all things. And it was one thing, like a solid door. Its cold sealed the city in a gray capsule. January was moments, and January was a year. January rained the moments down, and froze them in her memory: [...]Every human action seemed to yield a magic. January was a two-faced month, jangling like jester's bells, crackling like snow crust, pure as any beginning, grim as an old man, mysteriously familiar yet unknown, like a word one can almost but not quite define.

I think people often try to find through sex things that are much easier to find in other ways.

That wasn't a bad price for a first book. My agent upped it as much as possible. I was 27 and had nothing behind me. I was working like a fool to earn a living and pay for my apartment

How easy it was to lie when one had to lie!

Every man is his own law court and punishes himself enough.