But there were too many points at which the other self could invade the self he wanted to preserve, and there were too many forms of invasion: certain words, sounds, lights, actions his hands or feet performed, and if he did nothing at all, heard and saw nothing, the shouting of some triumphant inner voice that shocked him and cowed him.
Patricia HighsmithIn view of the fact that I surround myself with numbskulls now, I shall die among numbskulls, and on my deathbed shall be surrounded by numbskulls who will not understand what I am saying ... Whom am I sleeping with these days ? Franz Kafka.
Patricia HighsmithEach book is, in a sense, an argument with myself, and I would write it, whether it is ever published or not.
Patricia HighsmithI don't want to know movie directors. I don't want to be close to them. I don't want to interfere with their work. I don't want them to interfere with mine.
Patricia HighsmithI didn't hang around films. I don't know if I'd ever seen Hitchcock's The Lady Vanishes.
Patricia HighsmithThe kiss became the narrowed center of the still point of the turning world, so that even the park was turning in comparison to the still peace at their lips.
Patricia HighsmithI prefer to live in the country where it's quiet. Woody Allen movies there are dubbed into Italian.
Patricia HighsmithI think J.D. Salinger is correct in granting no interviews, and in making no speeches
Patricia HighsmithThe conversation seemed just as boring and forgettable as details of American history around 1805, for example.
Patricia HighsmithI think people often try to find through sex things that are much easier to find in other ways.
Patricia HighsmithI have Graham Greene's telephone number, but I wouldn't dream of using it. I don't seek out writers because we all want to be alone.
Patricia HighsmithMy New Yearโs Eve Toast: to all the devils, lusts, passions, greeds, envies, loves, hates, strange desires, enemies ghostly and real, the army of memories, with which I do battle โ may they never give me peace. (New Year's Eve, 1947)
Patricia HighsmithThis is what I like, sitting at a table and watching people go by. It does something to your outlook on life. The Anglo-Saxons make a great mistake not staring at people from a sidewalk table.
Patricia HighsmithThe first person you should think of pleasing, in writing a book, is yourself. If you can amuse yourself for the length of time it takes to write a book, the publisher and the readers can and will come later.
Patricia HighsmithHe loved possessions, not masses of them, but a select few that he did not part with.They gave a man self-respect. Not ostentation but quality, and the love that cherished the quality. Possessions reminded him that he existed, and made him enjoy his existence. It was as simple as that. And wasn' t that worth something? He existed.
Patricia HighsmithIf people have bought something of mine, they know by now that I will decline writing it for the movies
Patricia HighsmithI was in New York. Hitchcock was in California. He rang me to make a report on his progress and said, I'm having trouble. I've just sacked my second screenwriter
Patricia HighsmithLife is a long failure of understanding ... a long, mistaken shutting of the heart.
Patricia HighsmithHow was it possible to be afraid and in love... The two things did not go together. How was it possible to be afraid, when the two of them grew stronger together every day? And every night. Every night was different, and every morning. Together they possessed a miracle.
Patricia HighsmithThat wasn't a bad price for a first book. My agent upped it as much as possible. I was 27 and had nothing behind me. I was working like a fool to earn a living and pay for my apartment
Patricia HighsmithHe liked the fact that Venice had no cars. It made the city human. The streets were like veins, he thought, and the people were the blood, circulating everywhere.
Patricia HighsmithWhen I am thickening my plots, I like to think 'What if ... What if ... ' Thus my imagination can move from the likely, which everyone can think of, to the unlikely-but-possible, my preferred plot.
Patricia HighsmithWhat was it to love someone, what was love exactly, and why did it end or not end? Those were the real questions, and who could answer them?
Patricia HighsmithOne situation โ maybe one alone โ could drive me to murder: family life, togetherness.
Patricia HighsmithAnticipation! It occurred to him that his anticipation was more pleasant to him than the experiencing.
Patricia HighsmithThey were not friends. They didn't know each other. It struck Tom like a horrible truth, true for all time, true for the people he had known in the past and for those he would know in the future: each had stood and would stand before him, and he would know time and time again that he would never know them, and the worst was that there would always be the illusion, for a time, that he did know them, and that he and they were completely in harmony and alike. For an instant the wordless shock of his realization seemed more than he could bear.
Patricia HighsmithThen Carol slipped her arm under her neck, and all the length of their bodies touched fitting as if something had prearranged it. Happiness was like a green vine spreading through her, stretching fine tendrils, bearing flowers through her flesh. She had a vision of a pale white flower, shimmering as if seen in darkness, or through water. Why did people talk of heaven, she wondered
Patricia HighsmithBut there was not a moment when she did not see Carol in her mind, and all she saw, she seemed to see through Carol. That evening, the dark flat streets of New York, the tomorrow of work, the milk bottle dropped and broken in her sink, became unimportant. She flung herself on her bed and drew a line with a pencil on a piece of paper. And another line, carefully, and another. A world was born around her, like a bright forest with a million shimmering leaves.
Patricia HighsmithJanuary. It was all things. And it was one thing, like a solid door. Its cold sealed the city in a gray capsule. January was moments, and January was a year. January rained the moments down, and froze them in her memory: [...]Every human action seemed to yield a magic. January was a two-faced month, jangling like jester's bells, crackling like snow crust, pure as any beginning, grim as an old man, mysteriously familiar yet unknown, like a word one can almost but not quite define.
Patricia HighsmithI know you have it in you, Guy," Anne said suddenly at the end of a silence, "the capacity to be terribly happy.
Patricia HighsmithRobert Walker as Bruno was excellent. He had elegance and humor, and the proper fondness for his mother
Patricia Highsmith