Melbourne is a fantastic place to work, but it's not the centre of the world.

In one hundred years time people will look back and think 'these people were really worried about the environment, they were looking at things to do with global warming, and this is why they were making work about these issues'.

I don't think 'Dark Heart' has to be malevolent. It conveys a sense of depth. There is a sense of questioning turmoil.

Materials are very important to me, and always have been.

Melbourne is a fantastic place to work, but it's not the centre of the world.

Quality and longevity are the primary criteria, along with repairability and ease of production.

We tend to be talking to fabricators in the film and special effects or automotive customisation worlds. That having been said, I'm sure as more and more artists come to use these sorts of media, the expertise amongst conservators is going to keep pace with that.